Through October, 2014:
Made in New Jersey: A Celebration of Decorative and Fine Arts
Celebrating New Jersey’s 350th Anniversary, this exhibit showcases the Museum’s collection of New Jersey stoneware, silver, and artists such as Thomas Nast, A.B. Frost and Edward Kranich. Also featured are examples of New Jersey stoneware from such makers as Noah Furman and Charles Wingender, and New Jersey silver by Cary Dunn, Aaron Lane and others. During touring hours in the Upstairs Gallery (originally scheduled to open on February 23). Regular admission applies; members free. . A speaker series complements the exhibit.
Controversies: The More Things Change…
Through June, 2014 This exhibition explores topics that helped shape our world through local history events which had national significance: medical experimentation, capital punishment, immigration and the right to die movement, and inspires people to consider the ways in which they think about these important, frequently debated issues. Local history events which had national significance represent the issues: the 1833 Antoine LeBlanc murder trial and public execution and medical experimentation; the immigration issues of the late nineteenth century as depicted by political cartoonist Thomas Nast, a Morristown resident, and the 1976 Karen Ann Quinlan “right to die” case. Where most exhibits typically provide detailed information about the objects on view, Controversies offers limited information about the objects, essentially forcing personal thought, and inspiring discussion, about the areas represented. Instead, curator’s books of supplementary information, drawn from primary sources, are available within the exhibit. Visitors are encouraged to leave comments about the themes presented. See more about the speaker series which complements this exhibit.
Thomas Nast Brings Down Boss Tweed
Through August 3, 2014
In the second floor Thomas Nast Gallery, this exhibit features more than twenty examples of the political cartoons Thomas Nast created attacking Boss Tweed and Tammany Hall. Thomas Nast (1840-1902) is one of the most recognized names in the world of political cartoons. Often called the father of American political cartooning, Nast’s images remain popular today. His well-known depictions of the Democratic donkey and Republican elephant, conceived more than 100 years ago, continue to represent both parties today. Uncle Sam and Columbia, two of his favorite figures to draw, are still recognized as symbols for the United States of America. Nast’s powerfully drawn battlefront images brought the American Civil War into people’s homes. Nast’s spirit lives on through his iconic representations of Santa Claus, which appear every year during the holiday season. The campaign that contributed most to Thomas Nast’s fame was the one he carried on so relentlessly against the Tammany Ring of New York in the 1870s. The target of Nast’s attack was “Boss” William M. Tweed (1823-1878), the political leader of New York City’s Tammany Hall. Tweed worked his way up from ward politician to become the most powerful political force in the city and state of New York. As head of the city’s Commission of Public Works, Tweed was in position to hand out lucrative contracts to his cronies who “kicked back” a major part of their receipts to the Ring. By appointing his Tammany Hall associates to key public offices, Tweed was able to prevent disclosure of his fraudulent activities.
“Not a Creature Was Stirring” – Christmas Animals, Toys and Thomas Nast
This exhibit featured several of the Museum’s holiday-themed Thomas Nast images, toys and ornaments from a century ago. This was the fifth year antique dealers and local collectors assembled unique treasures to create a charming Christmas holiday exhibit, created through generous object loans from Joe and Sharon Happle of Sign of the Tymes Antiques, Lafayette NJ , Lauren V. Rethwisch of Wooly Sheep Antiques, Robbinsville NJ, and Barbara Silverstein, a local collector and member of the museum, and was curated by Museum Curator Ryan Hyman and Mrs. Silverstein.
American Heroes in Bronze: The Artwork of James E. Kelly
This exhibition is now closed, but exhibit co-curator William B. Styple’s book is still available in the Museum Shop. This recent exhibit (closed November 10, 2013) explored the work of Irish-American sculptor James E. Kelly (1855-1933). In the decades following the American Civil War, more than forty Union Generals visited the New York City studio of Kelly, who was highly respected for his artwork’s historical accuracy. While the war heroes sat, the artist conducted in-depth interviews regarding their wartime service, and heard their very personal stories of Fort Sumter, Antietam, Gettysburg, and Appomattox. The work resulting from these personal interviews presented a unique perspective on the famous figures and events from the Civil War.
The exhibition is closed – but catalogs with full exhibit text and images are still available! See below. Macculloch Hall Historical Museum in collaboration with the New Jersey Civil War Sesquicentennial Committee (NJCW150) presented a major exhibit, “Gone for a Soldier:” Jerseymen in the Civil War. The exhibit brought together about 200 objects from thirty museums, historical societies, and private collections. Dana Shoaf, editor of Civil War Times (April, 2012) wrote in his review: “While this is unmistakably a military-themed exposition, the war’s devastating impact on New Jersey beyond the battlefield sinks in deeper and deeper as you move through the exhibit.” (click the image below for a readable size): In the New York Times Antiques section Eve M. Kahn wrote: “In the sesquicentennial commemorations of the Civil War regional exhibitions so far have covered topics as narrow as battlefield doctors from Albany, and Kentucky families divided by sympathies for the North and South. Troops from the New York region are only now receiving their share of museum attention.” Read the full article: http://www.nytimes.com/2011/11/04/arts/design/shenanigans-of-folk-art-collecting-art-nouveau-nudes.html A comprehensive collector’s catalog of the exhibit is available in the Museum Shop or you can order one online! The catalog includes color images of nearly every object in the exhibit and retails for