Now Showing in Our Upstairs Gallery
Women Warriors on the Home Front: Dorothea Miller Post and Morristown’s Woman’s Land Army (February 5-May 1, 2017) Extended through May 25!
Inspired by the British “Land Girls”, the Woman’s Land Army (WLA) was a civilian organization created during World War I to ensure that the country had an adequate food supply. Over 20,000 women in 42 states were recruited to work on farms to replace male workers who went to war. The WLA primarily consisted of college students, teachers, secretaries, and those with seasonal jobs or occupations which allowed summer vacation. These “farmerettes” were paid equally with male farm laborers and had an eight-hour workday. The WLA did not receive government funding or assistance. Instead, it functioned with the help of non-profit organizations, universities, and colleges.
Dorothea Miller Post (1878-1947), great granddaughter of George and Louisa Macculloch, became chair of the Morris County unit of the WLA. In addition under her direction, the Garden Club of Morristown, provided moral and financial support with each member contributing five dollars to the WLA.
The work done by women of the WLA was described by a Morristown Garden Club member… “The girls who worked in the Land Army were many who knew nothing about country or farm work, but they did very good work…taking care of chickens, milking cows, and pitching hay.” Like “Rosie the Riveter” a generation later, the Land Army “farmerette” of 1917 became a wartime icon.
This exhibition features a selection of letters, ephemera, photographs from the collection of Macculloch Hall Historical Museum’s archives detailing Dorothea Miller Post’s work with the WLA and a selection of graphics made from photographs in the collection of The Morristown and Morris Township Free Public Library.
Now Showing in Our Schoolroom Gallery
The Art of the Book: Thomas Nast Paints “The Arabian Nights” (February 16- May 31, 2017)
One Thousand and One Nights or the Arabian Nights has captivated audiences since antiquity. Set in exotic locations throughout the Middle East and South Asia these exciting folk tales, deeply rooted in oral tradition, were compiled into Arabic from the eighth through the thirteenth centuries. By the eighteenth century, the Arabian Nights were entertaining western audiences through various translations in French (1704-1717) and English (1706).
Though over time stories were added and omitted, the frame story or organizing principle remained the same: over 1,001 nights Scheherazade told a story to her husband, King Shahryar. Scheherazade either did not finish the night’s story or began a new story stopping midway to pick it up the next evening in order to hold the king’s attention and ultimately to save her life.
Interest in The Arabian Nights continued through the nineteenth century. Thomas Nast (1840-1902) painted the series of watercolors on display for an edition that was never published. Nast was a prolific book illustrator whose work appeared in more than 125 books on topics ranging from politics and the military to children’s and Christmas books, among others.
This exhibition features the 16 watercolors Nast created for the Arabian Nights together with a selection of books enriched by Nast’s illustrations and includes a special children’s section.